“To me, the camera is a brush. Through the technique of multi-exposure, I layer different
moments of time and space into a single frame, breathing new vitality and rhythm into
static landscapes. The overlapping forms of trees become abstracted, like the layers and
gradations of ink on traditional paper, blurring the lines between photography and
painting. This is a visual record of nature’s energy built layer by layer—an aesthetic
attempt to condense scattered moments into a single, calligraphic expression.”