The title of this series, PERSPE, originated from a fragment of the German word “Perspektive” (perspective):
a programmatic statement alluding to the composition work, which is based on a simulation that fully exploits the opportunities offered by digital technology.
The artist traces an unnatural perspective, i.e. a perspective that is “ideated”, invented, that acts and creates “different” places by mirroring the image, thus reaching perfect symmetry often disrupted by a discordant element.