This body of work examines the relationship between time, presence, and the structures left along the shore.
Through long exposure, movement is softened and visual distractions are minimized, reducing the scene to its essential forms.
The landscape is thus transformed into an abstract space rather than a specific location.
Repetitive posts and linear elements function as visual markers of time, creating rhythm and order within the frame.
As these structures gradually fade or become fragmented, they reveal a process of transition rather than disappearance.
This series is not merely a record of a landscape, but an exploration of how presence is sustained and eventually altered.
The final isolated form represents a point where continuity breaks, condensing the trace of time into a single image.
Ultimately, this work reflects on boundary, repetition, disappearance, and what remains.